Art Fellas: A Lust for Art

The up-scale and forward-thinking The Art Fellas opened their A Lust for Art showcase at the ION Art Gallery on August 19, 2015. It will run till August 28, 2015.

As an insignificant patron of the arts, I like to attend such exhibitions in an effort to expand my network of emerging artists and aficionados. Having the opportunities to speak to them, allows me to hear their personal perspectives and experiences that have led them down this truly satisfying path of cultural awakening.

In contemporary group events, such as A Lust for Art, you can find new artists who are able to showcase their works and hopefully find art lovers who appreciate their works.

One such emerging artist is Hu Jing Xuan of and

With artist Jing Xuan

Her experience, in both traditional mediums, digital illustrations and manga illustrations, exhibits her ability to transcend artistic forms whilst allowing herself to be enthralled by the ambiguities that exist therein – her experimentation is richly rewarded with a lilting gloominess in her CLAMP-inspired watercolours.

I am looking forward to her development and growth in Singapore’s art community.

Mixed-medium artist, Yeo Siak Goon, has always been a favourite contemporary artist in my network. His artwork orientation shows his uncanny ability to fuse de-constructive elements into familiar cultural frameworks.

With artist, Siak Goon

Beyond his artistic talents, Siak Goon is a mentor and adviser in many aspects of my work in publication and design (in traditional mediums and digital platforms). His sharp eye for details and perfection allows me to learn a lot from his skill and knowledge.

The Fence of Incredulity

Sometimes, out of boredom, I trawl the depths of Reddit for entertainment. There are a few gaming-related subs that I visit on these trips, such as /r/WorldofTanks, /r/Eve, and /r/citiesskylines. Beyond these Reddit subs, I don’t venture too far as I have no idea what dark corners of humanity bring me in the void of Reddit.

In this game, World of Tanks, you play as an arcade version of a tank crew in various tanks – so it is basically pixel tanks shooting other pixel tanks.

However, now and then, a nugget of brilliant comedy gold shines through and blinds readers (aka Redditors) into submission. This post at /r/WorldofTanks, was called [OT] 4chan determines the velocity necessary for a walrus to penetrate a T-72M’s upper glacis.

Click to enlarge!

4Chan is another user board/forum on the Internet, but I would like to provide the warning that you should not go there. I find Reddit safer (at least these specific gaming-related ones) and interesting to read.

In all earnestness, a reply made on Reddit itself paved the way for this 4Chan post into the Halls of Legends.

 [–]Cidious[NARWL](Scrubwhisperer)Sabot_Noir 220 points 4 days ago*

So obviously OP didn’t account for Walrus normalization and basically set up the Walrus to impact at 0 degrees from normal which is fine I guess…

However, I am more disappointed with the failure of OP to calculate the yield deflection of the steel (you use the elastic modulus which is about 200GPA or the elongation at break which is 22%) and further OP failed to appreciate the consequence of this failure on their calculations. I’m using SAE 4340 which has very similar properties to MIL-DTL-46177 RHA the current US army standard. At 22% elongation the metal would be deflected into the tank by a distance of 1.05m if we apply that elongation along the armor plate’s short axis.

Additionally OP Failed to account that the metal under elastic deformation (read as prior to reaching the yield stress) acts like a spring with the internal stresses and thus also the force opposing the Walrus increasing in an approximately linear fashion. This means that OP has overestimated the required energy by a factor of 2 no matter whether we accept the other assumptions. Not to mention that since we only expect to see the yield stress at the plastic deformation threshold we have no bearing on weather the yield stress would even be reached by a deformation of .5m. From above we may conclude that 0.5 meters would only bring the plate half way to deformation and thus OP has further overestimated the energy required by another factor of 2.

I’m giving OP a C on this assignment because I want them to understand that they can do better. I will however allow OP to come to my office DURING OFFICE HOURS, to discuss some extra work which would demonstrate that OP has a more complete understanding of the principles at work here (do another problem right and I’ll make the grade a solid B).

That said I want to commend OP on attempting a Graduate level problem as an undergrad; the attempt to apply statics principles to a highly dynamic situation is as heroic as it is whimsical. For a more realistic evaluation we would have to consider the heat generated by dynamic strain and how that could lead to thermal softening which would concentrate the deformation into shear bands leading to cracking and failure.

We could also get a more accurate picture by representing the Walrus as a hyperbolic distributed load instead of a point force since the Walrus is large and mostly liquid upon impact.

Finally we don’t actually have to assume the Walrus is combat reinforced if we instead are willing to consider the effect of extreme sheer on the liquefied Walrus and how it would restrict the dissipation of kinetic energy and create a thermal energy hazard to the crew were any of the walrus were to enter the crew compartment through even a small hole in the armor.

Edit: TL-DR A sonic Walrus impacting normal to the UFP of a T-72M would likely result in a crew kill by penetration and infiltration of the tank with superheated walrus gasses.

Never, I tell you, never have I laughed so much I snorted coffee out of my nostrils.

Just a peek!

I am currently involved in a small project with a well established art society in Singapore.

As I work through the member profiles, I am very pleased to see artists that I have known through the years. Especially more so when I am filling in the member profiles for one of my art teachers.

For this project, there is a certain amount of rationale behind the adoption of the WordPress platform.

Mr Boo has always been the soft-spoken and kindly person that I remembered as child. The few occasions that I do meet him during art exhibitions, he is still very much the same soft-spoken person.

Here’s another peak of the overall look…

Member profiles of the artists.

I will post an update when the project is fully completed.

Class Observation @ Studio Miu

A few days ago, I went to observe my father during his Chinese-Ink painting class at Studio Miu. From its initial location at Takashimaya Shopping Centre, Studio Miu has relocated to Centre Point to better serve its students.

I usually use a mono-pod for photography as an aid to stabilise or to extend various angles for my shots.

You can read about my coverage of his lesson at Jin Yin Mo.

What struck me about my father’s lessons was that he was very approachable and interested in sharing his knowledge to his students. This is an aspect of my father that I had not witnessed but have heard about from his students or peers.

His students at Studio Miu waxed lyrical about how they loved his teaching style and how they enjoyed his lessons thoroughly. One student even stated very firmly that they plan their lives around his Friday lessons – to much fervent consensus.

I have never been taught by my father to paint. He talks to me about painting and all the important concepts behind the paintings, but generally left me to my personal development.

At a very young age, I developed an interest in painting due to my father’s influence. So he sent me to Gradsign Art School instead. I was taught children art by a Ms Tan, followed by Mr Lim Leong Seng and Mr Boo Sze Yang for watercolours.

I stopped attending art classes at Gradsign when I went to secondary school, but continued my interest in painting at the Art Club headed by Mr Ho Cheok Tin. Under Mr Ho’s tutelage, I learnt Chinese-Ink painting. I even managed to get an award from the Singapore Youth Festival for one of my paintings.

Dad and me at the Singapore Youth Festival 1994

Besides covering Chinese-Ink painting, watercolours, gouache, I learnt Chinese calligraphy under Mr Lim Wong Hoe (whom I admired for his precise yet unique style of calligraphy).

Personal development is the core of my interest in art, with my father watching and supporting from a distance. When I made the decision to not pick up painting at a local art college, he was disappointed. While I may not be an artist now, I am supporting him as his manager… my interest and passion in the arts have never been extinguished.

When he shares with me the social going-ons in the art community, discuss various artists’ developments, and even asking me to critique his work, I am still able to rely on my self study of the arts and personal talents to be a competent arts commentator or as a participant in a dialogue.

While I may not have inherited my father’s flair for Chinese-Ink painting, I am honoured to be relied upon to support his work, and be able to advise other younger artists in their professional development.

As a personal belief, something that I hold very dearly to, I am a professional. Choon Jin maybe my father, but work is work. Just as I believe in paying the full value of a painting as per the label price, I do not favour my father’s works when I see something better from another artist.

While some people have laughed at me for being so silly and not asking for favours, I can firmly stand up on my own feet and act as I am, because I have straight convictions about art and knowing when things are professionally aligned. Thus on a professional level, my father is an artist in the wider arts community and he is treated as such.

I am relying on my own skills as a professional – my good eye and sense (for aesthetics, techniques, colours and compositions), my knowledge (of art and its social communities) and my preference for discretion (in the art community) – perhaps these are attributes that set me apart.

Standing here at Studio Miu and observing my father at work, I am appreciative of the way he delivered his lessons in class. Reflecting upon my newly-acquired knowledge of adult learning, he seems to have utilised an instructional approach but couched it in a friendly and open manner.

The students whom I have met, have different learning needs as well. The morning class was more socially interactive (two European students and one Chinese student) while the afternoon class leaned towards a “teacher to student” interaction (one Japanese student). I think my father’s friendly manner makes the students’ learning process much easier and adapt to, as well as receive feedback and critique from him.

Reinforcement and encouragement through his friendly critique seemed to go well with his students, as they earnestly accept his critique and expands the feedback session with more questions. His willingness to share more of his knowledge, and even suggestions for self practise, shows his passion in encouraging his students to push ahead on their own pace and even develop on their own areas of interests.

I hope to be able to participate in more class observations. I may have been away for a long time, I think this is a good time to understand my father and his work much better.